Tickets For George Strait at Allstate Arena in Rosemont, IL in Carbondale, Illinois For Sale

GEORGE STRAIT A Farewell Tour Tickets- xxxx
However, even fantastic literature is bidimensional: it is situated between the poles of realism and the marvelous or mythic. Geographical details, character descriptions etc. create a rhetoric of realism, which "invites the reader to ignore the text's artifice, to suspend one's disbelief, exercise poetic faith and thereby indulge in the narrative's imaginative world". The bidimensionality appears within the story as astonishment or frightening. According to G. W. Young and G. Wolfe, fictional realities outside the text are evoked, and the reader's previous conceptions of reality are exposed as incomplete. Hence, "by fiction is one able to gain even fuller constructs of what constitutes reality". On the other hand, the infinite fictional possibilities signal the impossibility of fully knowing reality. There is no criterion to measure constructs of reality ? in the last resort they are "entirely fictional".[1]Plot is what the character(s) did, said, and thought. It is the Action Proper given unity by the Enveloping Action, the Universal Action, the Archetypal Action. As Aristotle said, What gives a story unity is not as the masses believe that it is about one person but that it is about one action. Plot, or storyline, is often listed as one of the fundamental elements of fiction. It is the rendering and ordering of the events and actions of a story. On a micro level, plot consists of action and reaction, also referred to as stimulus and response. On a macro level, plot has a beginning, a middle, and an ending. Plot is often depicted as an arc with a zig-zag line to represent the rise and fall of action. Plot also has a mid-level structure: scene and summary.A scene is a unit of drama ? where the action occurs. Then, after a transition of some sort, comes the summary ? an emotional reaction and regrouping, an aftermath. For a delightful tongue-in-cheek comment on plot, see Katherine Anne Porter's "No Plot, My Dear, No Story" in The Occasional Writings and Collected Essays of Katherine Anne Porter, Seymour Lawrence, xxxx.Exposition is the portion of a narrative that introduces important background information to the reader (like events occurring before the main plot or a character's backstory) but is not part of the plot's action itself.[3] If the exposition is too didactic, it can kill the plot's momentum. Therefore a number of literary techniques are used to hide from, or otherwise misdirect, the reader's attention. These techniques include: flashbacks, incidental dialog (having a character refer to his sister as "Sis"), first-person thoughts of the past ("Years ago, when I was serving in Africa...") or projections into the future ("It was not until years later when I learned that...") and third-person, all-seeing narrative but split up into small pieces spread throughout the story.Foreshadowing is a technique used by authors to provide clues so the reader can predict what might occur later in the story. An author drops subtle hints about plot developments to come later in the story. It prepares the reader for later action and subsequent images so that the reader or spectator is not jarred and verisimilitude is maintained even in science fiction, fantasy, magical realism, and other genres that might otherwise test credulity. If such preparation is recognized as such by the reader or spectator, it may be ineffective and artificial.In a work of fiction, the climax often resembles that of the classical comedy, occurring near the end of the text or performance, after the rising action and before the falling action. It is the moment of greatest danger for the protagonist(s) and usually consists of a seemingly inevitable prospect of failure ? it surprises you to the point that gets you excited to see what is to come in the end.A climax often includes three elements. The most important element is that the protagonist experiences a change. The main character discovers something about himself or herself, and another unknown character. The last element is revealing the theme itself.Conflict is generally speaking a necessary element of fictional literature. As Brooks and Warren said in Understanding Fiction and as many others have noted, no conflict, no story. Often it is difficult for readers to discern conflict in sophisticated fiction but its locus is always focused on the protagonist. In order for the story to engage the reader or spectator, the conflict can usually be discerned as immediate, urgent, and insoluble. Furthermore, the conflict that is one between good and evil depends upon whether the reader or spectator prefers good or evil and is thus a slight story at best. It is defined as the problem in any piece of literature and is often classified according to the nature of the protagonist or antagonist, as follows:There are five widely cited types of conflict. Many other types of conflict such as Person vs. God are generally thought to fall into one of these categories. In many ancient cultures Person vs. Fate would often constitute the conflict of the story. In modern times, Person vs. Machine, also known as Person vs. Technology, has become another one.[5]is the theme in literature that places a character against their own will, confusion, or fears. Person vs. Self can also be where a character tries to find out who they are or comes to a realization or a change in character. Although the struggle is internal, the character can be influenced by external forces. The struggle of the human being to come to a decision is the basis of Person vs. Self. Examples include the titular character of Beowulf. More recently, the Academy Award winning movie A Beautiful Mind has been posited as an application of Person vs. Self. Faulkner in his Nobel Prize acceptance speech noted that the great stories are those of the human heart in conflict with itself. With that in mind the other conflicts enumerated here can fade into the background as part of the setting rather than the conflict-in-itself of any given story. A simple, ready example may be Jack London's "To Build a Fire" wherein we can see that the conflict is not Man vs. Nature but Man vs. His Own Nature.is a theme in literature in which the main character's conflict with another person is the focus of the story. An example is the hero's conflicts with the central villain of a work, which may play a large role in the plot and contribute to the development of both characters. There are usually several confrontations before the climax is reached. The conflict is external. An example is the conflict between Judah and Messala in Ben-Hur, as would be the conflict between a bully and his victim.is a theme in fiction in which a main character's, or group of main characters', main source of conflict is social traditions or concepts. In this sense, the two parties are: a) the protagonist(s); b) the society of which the protagonist(s) are included. Society itself is often looked at as a single character, just as an opposing party would be looked at in a Person vs. Person conflict. This can also be one protagonist against a group or society of antagonists or society led by some antagonistic force. Examples in literature would include the short story "The Ones that Walk away from Omelas" by Ursula Le Guin or the novel Wuthering Heights by Emily Brontë.s the theme in literature that places a character against forces of nature. Many disaster films focus on this theme, which is predominant within many survival stories. It is also strong in stories about struggling for survival in remote locales, such as Gary Paulson's Hatchet or Jack London's short story "To Build a Fire". is a theme in literature that places a character against supernatural forces. When an entity is in conflict with him-, her-, or itself, the conflict is categorized as internal, otherwise, it is external. Such stories are often seen in Freudian Criticism as representations of id vs. superego. Bram Stoker's Dracula is a good example of this, as well as Frankenstein by Mary Shelley and Christabel by Samuel Coleridge. It is also very common in comic books.Symbolism is the applied use of symbols: iconic representations that carry particular conventional meanings.The term "symbolism" is limited to use in contrast to "representationalism"; defining the general directions of a linear spectrum ? where in all symbolic concepts can be viewed in relation, and where changes in context may imply systemic changes to individual and collective definitions of symbols. "Symbolism" may refer to a way of choosing representative symbols in line with abstract rather than literal properties, allowing for the broader interpretation of a carried meaning than more literal concept-representations allow. A religion can be described as a language of concepts related to human spirituality. Symbolism hence is an important aspect of most religions.The interpretation of abstract symbols has had an important role in religion and psychoanalysis. As envisioned by Sigmund Freud and Carl Jung, symbols are not the creations of mind, but rather are distinct capacities within the mind to hold a distinct piece of information. In the mind, the symbol can find free association with any number of other symbols, can be organized in any number of ways, and can hold the connected meanings between symbols as symbols in themselves. Jung and Freud diverged on the issue of common cognitive symbol systems and whether they could exist only within the individual mind or among other minds; whether any cognitive symbolism was defined by innate symbolism or by the influence of the environment around them.Metaphor (from the Greek language: Meaning "apply", literally "carry across") is language that directly compares seemingly unrelated subjects. It is a figure of speech that compares two or more things not using like or as. In the simplest case, this takes the form: "The [first subject] is a [second subject]." More generally, a metaphor is a rhetorical trope that describes a first subject as being or equal to a second object in some way. Thus, the first subject can be economically described because implicit and explicit attributes from the second subject are used to enhance the description of the first. This is known for usage in literature, especially in poetry, where with few words, emotions and associations from one context are associated with objects and entities in a different context. A simpler definition is the comparison of two unrelated things without using the words "like" or "as".Style is not so much what is written, but how it is written and interpreted. Style in fiction refers to language conventions used to construct the story or article. A fiction writer may manipulate diction, sentence structure, phrasing, dialogue, and other aspects of language to create style or mood. The communicative effect created by the author's style is sometimes referred to as the story's voice. Every writer has his or her own unique style, or voice (Provost xxxx, p. 8). Style is sometimes listed as one of the fundamental elements of fiction.A whole branch of literature crossing entertainment and science speculation is science fiction. A less common similar cross is the philosophical fiction hybridizing fiction and philosophy, thereby often crossing the border towards propaganda fiction. These kinds of fictions constitute thought experiments exploring consequences of certain technologies or philosophies.Although fiction may be viewed as a form of entertainment, it has other uses. Fiction has been used for instructional purposes, such as fictional examples used in school textbooks. It may be used in propaganda and advertising. Although they are not necessarily targeted at children, fables offer an explicit moral goal.
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George Strait & Vince Gill
Allstate Arena
Rosemont, IL
Saturday
3/8/xxxx
7:30 PM
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This will be George's last major concert tour. After decades of touring he is retiring from the road. If you are a George Strait fan this will be your last chance to catch George live on tour. During his retirement George will still play select events but they will be very limited. Don't miss this icon of country music, OnlineTicketWindow.com has great seats for this entire xxxx Farewell Tour on sale now. All transactions are secure and guaranteed.
George Strait xxxx Farewell Concert Tour Schedule & Tickets
George Strait & Jason Aldean
CenturyLink Center - LA
Bossier City, LA
Thursday
1/9/xxxx
7:30 PM
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George Strait & Jason Aldean
Frank Erwin Center
Austin, TX
Friday
1/10/xxxx
7:30 PM
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George Strait & Eric Church
CenturyLink Center Omaha
Omaha, NE
Friday
1/17/xxxx
7:30 PM
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George Strait & Eric Church
Sprint Center
Kansas City, MO
Saturday
1/18/xxxx
7:30 PM
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George Strait & Martina McBride
SAP Center
San Jose, CA
Thursday
1/30/xxxx
7:30 PM
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George Strait & Miranda Lambert
Valley View Casino Center (Formerly San Diego Sports Arena)
San Diego, CA
Friday
1/31/xxxx
7:30 PM
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George Strait & Miranda Lambert
MGM Grand Garden Arena
Las Vegas, NV
Saturday
2/1/xxxx
8:00 PM
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George Strait & Martina McBride
US Airways Center
Phoenix, AZ
Friday
2/7/xxxx
7:30 PM
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George Strait & Martina McBride
Staples Center
Los Angeles, CA
Saturday
2/8/xxxx
7:30 PM
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George Strait & Little Big Town
Palace Of Auburn Hills
Auburn Hills, MI
Friday
2/14/xxxx
7:30 PM
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George Strait & Little Big Town
Nationwide Arena
Columbus, OH
Saturday
2/15/xxxx
7:30 PM
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George Strait & Martina McBride
Wells Fargo Center - PA
Philadelphia, PA
Friday
2/28/xxxx
7:30 PM
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George Strait & Martina McBride
Prudential Center
Newark, NJ
Saturday
3/1/xxxx
7:30 PM
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George Strait & Vince Gill
KFC Yum! Center
Louisville, KY
Friday
3/7/xxxx
7:30 PM
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George Strait & Vince Gill
Allstate Arena
Rosemont, IL
Saturday
3/8/xxxx
7:30 PM
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George Strait & Sheryl Crow
Bridgestone Arena (Formerly Sommet Center)
Nashville, TN
Friday
3/21/xxxx
8:00 PM
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George Strait & Sheryl Crow
Philips Arena
Atlanta, GA
Saturday
3/22/xxxx
7:30 PM
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George Strait, Lee Ann Womack & Merle Haggard
INTRUST Bank Arena
Wichita, KS
Friday
4/4/xxxx
7:30 PM
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George Strait, Lee Ann Womack & Merle Haggard
Pepsi Center - Denver
Denver, CO
Saturday
4/5/xxxx
7:30 PM
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George Strait & Chris Young
Moda Center at the Rose Quarter
Portland, OR
Friday
4/11/xxxx
7:30 PM
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George Strait & Chris Young
Tacoma Dome
Tacoma, WA
Saturday
4/12/xxxx
7:30 PM
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George Strait & Ronnie Dunn
Wells Fargo Arena - IA
Des Moines, IA
Friday
4/18/xxxx
7:30 PM
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George Strait & Ronnie Dunn
Bank Of Oklahoma Center
Tulsa, OK
Saturday
4/19/xxxx
7:30 PM
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Bayou Country Superfest - 3 Day Pass
Tiger Stadium - Baton Rouge
Baton Rouge, LA
Friday
5/23/xxxx
TBD
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Bayou Country Superfest: George Strait, Reba McEntire & Chris Young
Tiger Stadium - Baton Rouge
Baton Rouge, LA
Friday
5/23/xxxx
6:00 PM
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George Strait, Tim McGraw & Faith Hill
Gillette Stadium
Foxborough, MA
Saturday
5/31/xxxx
7:30 PM
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George Strait, Alan Jackson, Kenny Chesney & Faith Hill
AT&T Stadium
Arlington, TX
Saturday
6/7/xxxx
TBD
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